Anna Arabindan-Kesson

Position
Assistant Professor
Role
Department of African American Studies & Department of Art and Archaeology
Office
102 Morrison Hall
  • Monday — 11:00-12:00pm (ET) | via Zoon
  • Tuesday — 11:00-12:00pm (ET) | via Zoon

Schedule your appointment here

Degrees

Ph.D., Yale University

Bio/Description

Professor Anna Arabindan-Kesson is an assistant professor of African American and Black Diasporic art with a joint appointment in the Department of Art and Archaeology. Born in Sri Lanka, she completed undergraduate degrees in New Zealand and Australia, and worked as a Registered Nurse in the UK before completing her PhD in African American Studies and Art History at Yale University.

Professor Arabindan-Kesson's research and teaching focus on Black Diaspora Art, with an emphasis on histories of race, empire, and medicine in the long 19th century. She also has interests in British, South Asian and Australian art. Her first book Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World, is available from Duke University Press. She is also writing a book, supported by an ACLS Collaborative Research Fellowship, with Professor Mia Bagneris (Tulane University) called Beyond Recovery: Reframing the Dialogues of Nineteenth-Century Black Diaspora Art. Her second monograph is called An Empire State of Mind: Plantation Imaginaries, Colonial Medicine and Ways of Seeing. She is the director of Art Hx, a digital humanities project and object database that addresses the intersections of art, race and medicine in the British empire. She is currently a Visiting Fellow, Center for The Study of Social Difference, Columbia University and a 2021 Center for Digital Humanities Data Fellow at Princeton University. Professor Arabindan-Kesson is a board member of several arts organisations, continues to curate exhibitions and works closely with contemporary artists internationally.

In her teaching, Professor Arabindan-Kesson is committed to expanding and amplifying the spaces, and narratives, of art history. Her courses include survey classes on African American and Caribbean Art, and more specialized undergraduate and graduate seminars such as Seeing to Remember: Representing Slavery Across the Black Atlantic and Art of the British Empire(link is external) and Pathologies of Difference: Art, Race and Medicine in the British Empire