This multi-part programme of research events focuses on the encounter between artistic and art-historical practice and the forces of the natural world. It places such encounters in both contemporary and historical perspectives.
In doing so, it aims not only to respond to the exigencies of the current moment, but to foreground some of the most vital activities and conversations taking place within the field of British art studies: In recent years, scholars have concentrated with new intensity on the overlaps between artistic, geophysical, biological and ecological bodies of knowledge.
The series speaks to many of the new interdisciplinary collaborations that are currently shaping art-historical practice, where scholars of the visual arts are working across different subject-fields to explore natural histories, indigenous forms of knowledge, animal studies, concepts of the post-human and revitalised theorisations of the sublime.
It foregrounds the astonishingly rich and diverse representations of natural forces found throughout the history of British art. The programme will explore such representations in the light of current debates and theoretical frameworks, and with the acknowledgement that human agency and reflexive awareness are natural forces in their own right.
Observation and Diagnosis: Pathologizing Bodies, Medicalizing Space in the British Empire
Keynote lecture by Anna Arabindan-Kesson
[Originally published on November 6, 2020 via the Paul Mellon Centre for Studies in British Art]