Vision and Value: Cotton and the Materiality of Race

Mon, Jan 20, 2020, 5:00 pm
Location: 
Research Forum Seminar Room, The Courtauld Institute of Art, Vernon Square, Penton Rise, King’s Cross, London, WC1X 9EW
Audience: 
Public / Open To All
Speaker(s): 

Piles of Cotton

This talk examines the visual relationship between the cotton trade and the representation of the black body in American culture, using historical case studies and contemporary art. Juxtaposing contemporary interventions with historical moments, it examines how cotton materially influenced the way black bodies were seen, and how black Americans saw themselves, as both enslaved and free Americans. It argues that tracing this relationship deepens our understanding of the intersections of vision, value and subjectivity in the production of racial identity in nineteenth-century America, and also today.

Anna Arabindan-Kesson is an assistant professor of Black Diasporic art jointly appointed in the Departments of African American Studies and Art and Archaeology at Princeton University. Born in Sri Lanka, she completed undergraduate degrees in New Zealand and Australia and worked as a Registered Nurse before completing her Ph.D. in African American Studies and Art History at Yale University. Her first book, under contract with Duke University Press and called Black Bodies White Gold: Art, Cotton and Commerce in the Atlantic World is due in 2020.

Open to all, free admission - Places are limited and will be available on a first-come first-served basis

Event Recording Notice: By entering the premises of the event above, you consent to be photographed, filmed and otherwise recorded for any use and wavier all rights you may have to any claims for payment or royalties in connection with any exhibition, social media, or other publication of the materials.


 

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